Welcome to another page from www.LittleFilm.org
Here we post the news of filmmakers working with 8mm film.

CONGRATULATIONS FILMMAKERS!

May 2002

Congratulations Michael Moore on the success of "Bowling for Columbine" at Cannes. Woweee, A FIFTEEN MINUTE standing ovation! We look forward to seeing the film do well all over the nation. Brodsky loved working on your home movies and we look forward to seeing what nuggets were excerpted for use in the feature.

 

February 2002

The United States Super 8 Film / Digital Video Festival- now in its fourteenth year - draws films and videos from all over the world. This year's finalists can be seen here: FINALISTS.

Congratulations Mario Pinzon and Vora Vor for being chosen a finalist with your new film "Alcohol, Tobacco, and Firearms." Check out Mario and Vora's website, thirdeyemediaworks.com

We also see Sanjiban Sellew making the finalist list with a short gem from his prolific filmmaking career. CONGRATS!

August 2001

Look at this? The Guggenheim fellowships booklet shows not one but three Super 8 filmmakers are fellows this year! Congratulations Jem Cohen, Joe Gibbons and Anne C. Robertson!

January 2001

WONDERFUL NEWS Anne C. Robertson was named a Guggenheim Fellow! She will also have a residency in fall 2001 at Squeaky Wheel. Anne has shown work all over the country and in Europe. Her diaries and personal shorts remain some of the strongest personal film works anywhere, in any gauge. We are delighted for her recognition and we add thanks for her help on Newsletter #22.

Jytte Jensen at MoMA and Steve Anker at SF Cinematheque deserve a wild round of applause for many years of work. The last ten programs in the series Big as Life: An American History of 8mm Films screen Thursdays Jan-April 2001 at MoMA.

Lynn Shelton's documentary The Clouds that Touch Us Out of Clear Skies, seen at Olympia, Northwest and Shorts Film Festivals.

An anonymous flyer marked Tom Church film screenings-underground Super 8 from S.F. says they will be shown at Anthology, NYC, Seattle, Vancouver. Anyone spotted them elsewhere?

Tim Wright hardly finds time to work on his new documentary on credit cards in America while he is teaching at cityscapefilm.com There he is conducting the team which will document the behind the scenes work on the new Roger Corman film. See Tim at jpnewsreel.net

Rich Pontius send us this about a recent screening: The name of the show was "Roll Call," and it took place at the Abbey Lounge in Inman Square Cambridge November 19, 2000. Filmmakers from San Francisco, New York and Boston included Luther Price, Saul Levine, Mark Lapore, Joe Gibbons, Kerry Laitala, Brian Frye, Adrianne Jorge, John Quackenbush, Paul Turrano, George Lewis, Katya Gorker, Paul Turano, Carl Fuerman, Brian Coffey, Chris Colt, Aaron Scott, Brian Frye, Rich Pontius and Betsy Nichols.

Mail from Singapore about a solo show of Ken Paul Rosenthal's work at The Blinding Light in Vancouver. His film Blackbirds was screened at the Rotterdam Int'l Film Fest and at the Ann Arbor Film Fest. He curated the 3rd annual Texture of the Gesture, a program of hand processed films for the San Francisco Cinematheque. Currently, he is teaching filmmaking in Singapore where he curated a program of experimental documentaries by San Francisco makers for the Singapore Int'l. Film Festival.

Steven and Joetta Osborne's amazing Reel Image (Issue #9, summer 2000) carries Jim Maloy's account of outdoor screenings in Austin, Texas with a couple of great photos. Families can cool down from the heat of the day at Splash Night watching movies on a screen while chilling with the children in the spring fed pool at Zilker Park. Chris Cottrill seems to be writing regularly in the magazine.

Applause for John Petros in Burbank, the most prolific volunteer reviewer of lab services: 18 cards since the last newsletter.

Henry Ferrini has screenings of his new film Lowell Blues: the Words of Jack Kerouac at the Museum of Fine Arts Boston February 1 and 24, 2001.

Seems people like flickers. Thanks Angie, Norwood, Jim, James....Visit flicker.org for links to screenings in Durham, NC, Los Angeles, CA, Richmond, VA, Jersey City, NJ, Austin, TX and Bordeaux, France. All flickers acknowledge common parentage in Athens, GA. Write Norwood Cheek, flicker@mekons.com for the 2000 v.1 issue of flicker guide.

"Instrument" Jem Cohen's portrait of the band Fugazy is being released on DVD. Jem has a retrospective Feb. 2-7, 2001 at the National Film Theatre in London, just before "Benjamin Smoke" opens there on Feb. 9. Last summer "Benjamin Smoke" a documentary film made by Jem and Peter Sillen, debuted at The Screening Room in NYC. "This highly unorthodox documentary follows the crooked path of "Benjamin" a drag-queen, speed-freak, all-around renegade living in Atlanta, Georgia in a hidden neighborhood called "Cabbagetown."

Dedicated filmmaker and community activist Richard Broadman is missed by the Boston documentary community. He died before his last film Brownsville Black and White had a premiere in November 2000 at the Coolidge Corner Theatre, Brookline, MA. It was followed by a panel discussion: "Moving on After Brownsville: Black/Jewish Relations in a New Era." Susi Walsh of the Center for Independent Documentary did a lot of leg work for Richard's premiere, and gave sspecial attention to Deann's and Jane's works too.

Dragonflies, the Baby Cries, a new film by Jane Gillooly with live accompaniment by the Alloy Orchestra was shown at the Coolidge Corner Theater, Brookline, MA, November 11, 2000

Deann Borshay Liem presented First Person Plural at the Museum of Fine Arts in Boston and on TV as part of the new season of P.O.V. on PBS. This "compelling first-person account" (Variety) investigates her 1966 adoption from Korea by an American family, leading both viewer and filmmaker on an astounding journey straight to the heart of family and identity. Her father's 8mm home movies include the moment she steps off the plane and lots of other telling details with her siblings.

Bravo cet homme qui surface partout! Al Nigrin took Super 8 films to 14 places in the last year, from MoMA and Millenium to sites in NJ, WV, PA, VA, MN, and he was elected to the Executive Board of NAMAC, assuring a small gauge film sensibility will be represented.Check out the action at his NJMAC's Film Festival.

Poli Marichal is mounting a show of her prints and paintings from 16 February to 15 March 2001 at the Gallery Espresso Mi Cultura in East Los Angeles.

Fumbling with the remote, we spied a feature film directed by Guy Ferland, who made astonishing Super 8 films in his youth. Go, Guy!

A program called Memento Mori: The Films of Jim Hubbard is screening at dumba in Brooklyn. tel: 718.670.371 Jim Hubbard has been hand-processing films since 1974. He is a co-founder of MIX: The New York Lesbian/Gay Experimental Film/Video Festival. He recently curated "Fever In The Archive: AIDS Activist Video & Film" at the Guggenheim.

Quite a span of years: film/videomaker Taka Iimura had his 1962 film "Ai (Love)" shown at MoMA Big as Life on the 1/25/01 program with short films by Michael Johnson, Joe Gibbons, Stan Brakhage, Gary Adlestein, Vito Acconci and Lewis Klahr. That day, Taka's 1998 b&w video "Observer Observed" was an award winner and screened at the N.Y. Exposition of Short Film and Video.

NewYorker/Parisienne Vivian Ostrovsky sent in some lab names in Europe and added the intriguing note “P.S. I am on my way to Brazil with a S8 camera.” New England winter dreams are made of this....

Danny Plotnick is spicing up the Bay Area with Super 8 action. He teaches Super 8 all the time at FilmArts.org.

Use the past < symbol at the bottom of the page and you will be able to see the archives of prior years Filmmaker News as soon as I have posted them. -ed.

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